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MONSTER ISLAND
Horror Irregular Fanzine from Spain
Ceased publication

- First and last issue: 2000-2011
- Publisher/Editor: Jorge Aguirre.

Notes: Spanish MONSTER ISLAND fanzine is back
Last updated:
19 December 2010
(see recent updates)

COVERS FOUND & MISSING
Info from the Database

Highslide JS Listing is complete and all covers have been found.

See The listing

CONTENTS: 2000 2001 2010 All GALLERIES: 2000 2001 2010 All

Issue 3/4
December 2010
After nearly a decade of inactivity ... here comes Monster Island #3/4!
It returns in style as a special issue.
It gathers in one single issue, the #3 issue and also the first three issues (#0, #1, #2) that appeared during 2000-2001.
This issue includes all the material already published before.
While remaining faithful to the spirit of the original fanzine, it has received some improvements: both in its layout, and an attractive new artwork is added.
It also has a unique prologue, written by the creator of Puppets and Clay Adrian Encinas.
You will find many and various articles, covering diverse themes from fantasy and terror movies, and always with an attitude that can not leave anyone indifferent. Articles enjoyable, but rigorous, set within a layout as before, made by photocopying. The most authentic expression of the usual fanzine, which brought us all this wonderful info before the influx of digital media.
Topics covered in this issue are from various genres, such as the American B-movie (Re-Animator, Dead and Buried or The Texas Chainsaw Massacre), the Spanish fanta-terror (with plenty of info about the most remembered Paul Naschy films, but also the forgotten ones like Los Ritos Sexuales del Diablo...), articles about special effects and animation Stop-Motion (recalling the master Ray Harryhausen, or dark classic Sci-Fi as Fiend Without a Face...).
Plus music, comics and much more.

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.
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